The Red Badge of Courage as a Naturalistic Work with Realistic Tendencies :: The Red Badge of Courage

The Red label of Courage as a re giveational subject with Realistic Tendencies The Red Badge of Courage by Stephen Crane, one of the most significant and renowned books in American literature, defies outright classification, showing traces of some(prenominal) the realist and naturalist movements. It is a classic, however, precisely because it does so without sacrificing unity or poignancy. The Red Badge of Courage belongs unequivocally to the naturalist genre, but naive realism is also present and use to great effect. The conflict between these styles mirrors the bloody clash of the war described in the book and the eternal struggle between good and disgust in human nature. There are many characteristics in Cranes novel that would more promptly fitting within the category of realism the worldliness of his characters, the use of dialect, the portrayal of protagonist Henry Fleming as a complex individual, the description of nature as disinterested in human affairs, and th e supreme shutting of the story. Realism, often described as slice of life or photographic writing, attempts to portray life exactly as it is, without twisting it or reworking it to fit it into conceptualise notions of what is appropriate or what is aesthetically pleasing. In this book, Crane relies on neither the oversimplified rationalism of classicist literature nor the emotional idealism of romantic prose. Instead, he offers realistic, believable characters with average abilities. The soldiers are presented neither as epic heroes nor as bloodthirsty killers rather, their most noticeable trait is their overwhelming normalcy. The soldiers of Henrys regiment curse, fight, and surround just like normal people. This down-to-earth, gritty, everyday style is characteristic of realism. A particular convention used by Crane in convincing the referee of his characters existence is dialect. The distinctive speech of the soldiers enhances the photographic effect of the novel, lending it authenticity. Another distinctive trait of realism is complexity of character a trait readily evident in Henry Fleming. As he switches between cowardice and heroism, compassion and contempt, and optimism and pessimism, the reader observes that he is more than just a stereotype. He is a person with fears, hopes, dreams, and foibles. Nature is often portrayed as indifferent or disinterested in the affairs of humankind. Whereas naturalism involves emphasis on the abhorrence of nature, realism lacks this trait. For example, after fighting a battle, the youth feels a flash of astonishment at the blue, pure sky and the sun gleaming on the trees and fields.The Red Badge of Courage as a Naturalistic Work with Realistic Tendencies The Red Badge of CourageThe Red Badge of Courage as a Naturalistic Work with Realistic Tendencies The Red Badge of Courage by Stephen Crane, one of the most significant and renowned books in American literature, defies outright classification, showing tra its of both the realist and naturalist movements. It is a classic, however, precisely because it does so without sacrificing unity or poignancy. The Red Badge of Courage belongs unequivocally to the naturalist genre, but realism is also present and used to great effect. The conflict between these styles mirrors the bloody clash of the war described in the book and the eternal struggle between good and evil in human nature. There are many characteristics in Cranes novel that would more readily fit within the category of realism the ordinariness of his characters, the use of dialect, the portrayal of protagonist Henry Fleming as a complex individual, the description of nature as disinterested in human affairs, and the positive ending of the story. Realism, often described as slice of life or photographic writing, attempts to portray life exactly as it is, without twisting it or reworking it to fit it into preconceived notions of what is appropriate or what is aesthetically pleasing. In this book, Crane relies on neither the oversimplified rationalism of classicist literature nor the emotional idealism of romantic prose. Instead, he offers realistic, believable characters with average abilities. The soldiers are presented neither as epic heroes nor as bloodthirsty killers rather, their most noticeable trait is their overwhelming normalcy. The soldiers of Henrys regiment curse, fight, and argue just like normal people. This down-to-earth, gritty, everyday style is characteristic of realism. A particular convention used by Crane in convincing the reader of his characters existence is dialect. The distinctive speech of the soldiers enhances the photographic effect of the novel, lending it authenticity. Another distinctive trait of realism is complexity of character a trait readily evident in Henry Fleming. As he switches between cowardice and heroism, compassion and contempt, and optimism and pessimism, the reader observes that he is more than just a stereotype. He is a person with fears, hopes, dreams, and foibles. Nature is often portrayed as indifferent or disinterested in the affairs of humankind. Whereas naturalism involves emphasis on the hostility of nature, realism lacks this trait. For example, after fighting a battle, the youth feels a flash of astonishment at the blue, pure sky and the sun gleaming on the trees and fields.