Essay on Art as a Reflection of Life in Death in Venice -- Death in Ve

Art as a Reflection of animateness in Death in Venice Death in Venice explores the relationship in the midst of an fraudisan, namely Gustave von Aschenbach, and the world in which he lives. Aschenbach, destined to be an stratagemist from a young age, represents art, while his surroundings represent life. As the narration unfolds, Aschenbach endeavors on a tour in an contract to relinquish his lay in society as an artist. Aschenbach wants to experience life, as opposed to nevertheless reflecting upon it, as he has done for so many years. This attempted exchange of lifestyle can also be interpreted as a convert from the ways of Apollo to those of Dionysus, an archetype dating back to Nietzsches Birth of Tragedy. Aschenbachs journey throughout Death in Venice can be seen as an artists attempt to live life free from artistic interpretations. In the end, however, Aschenbach fails and his death shows that art is transient. Because of Aschenbachs failure to step down from his position as an artist and to give out a part of life, it can be concluded that art is stringently a reflection of life. Aschenbachs journey commences upon his encountering a stranger on a portico. He was obviously not Bavarian. (Mann, 4) Aschenbach, never having ventured far from home, is intrigued by this alien who fails to give him the respect and reverence that he is used to as a renowned artist. For the first time in his life, Aschenbach is challenged. So now, perhaps, feeling, thus tyrannized, punish itself by leaving him, refusing from now on to carry and wing his art and taking away with it all the ecstasy he had known in form and expression. (Mann, 7) Aschenbach, acknowledging the challenge, resolves to travel. The new territory upon which he is to embark, t... ...be an artist is shown throughout his life, including in his last moments on the beach when he fears Tadzios death. The irony of Ashenbachs demise emphasizes that art, as a reflection of life, is transient. And before nightfall a shocked and regardful world received the news of his decease. (Mann, 73) Aschenbach has earned his place in business relationship as an artist. But like all artists, he is replaced by his successors. Aschenbachs transition from an Apollonian way of life to a Dionysian one shows that art reflects life. In his case, art is nothing more than a reflection, and although beautiful and appreciated, it is not an all-important(a) element of life itself. Works Cited Mann, Thomas. Microsoft(r) Encarta(r) 98 Encyclopedia. 1993-1997. Mann, Thomas. Death In Venice. parvenue York Vintage Books, 1989. http//philos.wright.edu/Dept/CLS/wk/204/DV.html